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With 2012’s Journey, thatgamecompany succeeded in creating a type of interactive tome, replete with all the self-reflective ambiguity of an abstract painting. Debates over video games as art notwithstanding, Journey could hardly be described as anything but. While it wove an astoundingly rich visual tapestry, the surprisingly effusive weight of its anonymous multiplayer carried the brunt of its artistic meaning.

 

So it’s impressive that developer Giant Squid—founded by Journey’s Art Director, Matt Nava—has created a game in Abzû that not only sparkles with aesthetic brilliance, but also finds its own voice as an emotionally driven work of artistic expression. The fact that it occasionally feels slight in the shadow of Journey’s monolithic legacy is something I struggle to hold against it, especially when the overall experience feels so singularly divine.

 

Abzû’s wordless story begins in a serene corner of its ocean setting, as your avatar, a wet-suit-clad scuba diver awakes on the surface. Subtle visual cues and camera tricks help to guide you along your trek through underwater caverns, dense kelp forests, and even some less organic structures that I dare not detail further. Along the way, you’ll interact with all manner of sea life from the smallest clownfish to blue whales the size of a naval submarine.

 

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It’s in the interaction with these creatures that Abzû sets itself apart from any game I’ve played before. Each of the game’s environments is its own mini ecosystem, teeming with aquatic inhabitants that interact with each other and the player in fascinating and believable ways. Sharks will chomp on smaller fish, dolphins flip and twirl in their pods, and giant squid spray ink when you come near. These interactions are rarely scripted, often relying on your input to trigger, such as enticing a massive humpback whale to breach the surface or hitching a ride with a turtle. Finding new ways to play around with Abzû’s wildlife proves fun and engaging, while nicely complimenting the game’s naturalistic themes.

 

Just as playful is the game’s soundtrack from Austin Wintory, whose work composing Journey earned him a Grammy nomination. The lively strings, twinkling harps, and celestial choir simply sound exactly like Abzû looks. Wintory’s scores have an exquisite knack for capturing the essence of a game’s visuals and themes, and his work on Abzû is no exception. This inimitable, ever-present music ties into the gameplay and adapts appropriately to your actions, making it as vital a part of the experience as the vibrant visuals and the smooth controls.

 

 

As you might expect from the art director behind Journey, Abzû’s visuals inspire awe, a true sight to behold. Each area exhibits a distinct color palette with what can almost be described as a bouquet of marine wildlife. Seeing thousands of fish all animated on screen at once is jaw dropping more so for its audacious beauty than its technological achievement. Abzû has much in common with thatgamecompany’s earlier title, Flower, as you spread life through the world, making each new area more vibrant and lively than it was when you first waded into its waters. This is more than just pretty visuals at thirty frames per second; it’s emotion through gameplay and gameplay through art.

 

Abzû’s ocean is not all smooth sailing, however, as a few questionable design decisions muddy the otherwise clear waters. Each area has a few hidden shells that you can collect, much like the scarf pieces from Journey. But whereas those pieces granted your avatar with a longer jump and eventually—if you were able to find them all—a white robe with an infinitely regenerating scarf, Abzû grants the player no such rewards, besides a gold trophy. A sense of progression would have served Abzû well, and would’ve made the already enjoyable movement even more gratifying.

 

Though it may seem unfair to hold Abzû to the standards set by its predecessor, the corollary couldn’t be more apt. Make no mistake about it, this game—though not designed by Journey mastermind Jenova Chen—is a clear successor to that modern classic. Though the visual stylings and game design present a unique twist on the sub-genre, the level structure and pacing are lifted almost wholesale from Journey. As someone who has played through that game more times than I can count, I often found myself predicting what would happen next. Though the beats are familiar, each new area still kept me engaged as the game floated towards its conclusion. It’s just disappointing that Giant Squid chose to stick so vehemently to a previously established formula for a game that otherwise presents wonders I had never experienced before.

 

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That statement’s not completely true actually; I do have some experience with the grandeur of our planet’s oceans. I have been snorkeling on a few occasions, off the coast of Maui and Hawaii, and though it was over a decade ago, the adventure has hardly faded from my memory. Never have I been so humbled by nature as when I found myself surrounded by all manner of sea creatures, from turtles to barracudas to massive manta rays that dwarfed my six foot frame. This is the type of feeling Abzû so deftly replicates; that of a stranger in a strange land, discovering wonders your eyes weren’t meant to see. I never expected a game to make me want to don the flippers and goggles again, but that’s exactly what Abzû has accomplished.

 

Despite that, Abzû isn’t a scuba simulator, and it never attempts to be. You don’t need to manage oxygen levels, or worry about depth pressure, or fear any of the predators that lurk in the deep. While the fish are all modeled after real species in both design and behavior, this is a stylized version of underwater ecosystems, not a perfect replication. So in place of realism, Abzû fosters a wondrous sense of respect for the species that exist in our oceans, and it’s all the better for it.

 

Conclusion:

 

After my second playthrough, I still haven’t uncovered all of Abzû’s marvels, and I can’t stop thinking about my next dive in its magical world of color and life. I want to unlock all of the fish species, collect all of the mollusk shells scattered in the hidden corners of the world, and I want to find every last meditation statue. Mainly, though, I look forward to revisiting Abzû anytime I just need a break from the noise and bustle of human life on the surface of this Earth. The flaws that keep Abzû from being an unequivocal masterpiece are of little import when fully submerged in the adventure’s calming beauty and spectral wonder.

 

 

Abzû was reviewed on PlayStation 4 and is now available on PS4 and PC


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