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Found 133 results

  1. BioWare has created some of the most beloved moments in gaming history. The Mass Effect series stands as one of the greatest gaming trilogies of all time. However, many people point toward the conclusion of Mass Effect 3 as something that undid all of the goodwill the series had fostered up until that point. For all of their talent, BioWare also created one of the single most divisive and negatively received moments in gaming history. In Part One of our Mass Effect 3 discussion, we talked about the larger game leading up to the final minutes that threw the Mass Effect fan base into chaos. Part Two covers the ending and touches on some aspects of the DLC. Each week we will be tackling a video game, old or new, that at least one of us believes deserves to stand as one of the greatest games of all time. We'll dive into its history, development, and gameplay, while trying to argue for or against the game of the week. Sometimes we will be in harmonious agreement, other times we might be fighting a bitter battle to the very end. However each episode shakes out, we hope that everyone who listens will find the show entertaining and informative. Outro music: Myst III: Exile 'American Wheels of Wonder' by Mazedude (http://ocremix.org/remix/OCR01749) You can download or listen to the podcast over on Soundcloud, our hosting site, and iTunes. A YouTube version is (sometimes) available as well, so you can watch what we are talking about while we talk about it! If you want to have your opinion heard on air, share your opinion in the comments, follow the show on Twitter, and participate in the weekly polls: @BestGamesPeriod New episodes of The Best Games Period will be released every Monday
  2. BioWare has created some of the most beloved moments in gaming history. The Mass Effect series stands as one of the greatest gaming trilogies of all time. However, many people point toward the conclusion of Mass Effect 3 as something that undid all of the goodwill the series had fostered up until that point. For all of their talent, BioWare also created one of the single most divisive and negatively received moments in gaming history. In Part One of our Mass Effect 3 discussion, we talked about the larger game leading up to the final minutes that threw the Mass Effect fan base into chaos. Part Two covers the ending and touches on some aspects of the DLC. Each week we will be tackling a video game, old or new, that at least one of us believes deserves to stand as one of the greatest games of all time. We'll dive into its history, development, and gameplay, while trying to argue for or against the game of the week. Sometimes we will be in harmonious agreement, other times we might be fighting a bitter battle to the very end. However each episode shakes out, we hope that everyone who listens will find the show entertaining and informative. Outro music: Myst III: Exile 'American Wheels of Wonder' by Mazedude (http://ocremix.org/remix/OCR01749) You can download or listen to the podcast over on Soundcloud, our hosting site, and iTunes. A YouTube version is (sometimes) available as well, so you can watch what we are talking about while we talk about it! If you want to have your opinion heard on air, share your opinion in the comments, follow the show on Twitter, and participate in the weekly polls: @BestGamesPeriod New episodes of The Best Games Period will be released every Monday View full article
  3. Oblivion released in 2006 bringing a massive open-world geared toward a mainstream audience to PC and console gamers alike. Players were able to explore Cyrodiil, a fantasy land full of kings and gods while experiencing a myriad of stories ranging from becoming the greatest thief in the land to stopping a full-blown demonic invasion. Does Oblivion stand on its own as one of the best games period or is it overshadowed by the likes of Morrowind and Skyrim? Each week we will be tackling a video game, old or new, that at least one of us believes deserves to stand as one of the greatest games of all time. We'll dive into its history, development, and gameplay, while trying to argue for or against the game of the week. Sometimes we will be in harmonious agreement, other times we might be fighting a bitter battle to the very end. However each episode shakes out, we hope that everyone who listens will find the show entertaining and informative. Outro music: The Elder Scrolls IV: Oblivion 'Beyond the Imperial Prison' by HyperDuck SoundWorks (http://ocremix.org/remix/OCR03522) You can download or listen to the podcast over on Soundcloud, our hosting site, and iTunes. A YouTube version is (sometimes) available as well, so you can watch what we are talking about while we talk about it! If you want to have your opinion heard on air, share your opinion in the comments, follow the show on Twitter, and participate in the weekly polls: @BestGamesPeriod New episodes of The Best Games Period will be released every Monday View full article
  4. Oblivion released in 2006 bringing a massive open-world geared toward a mainstream audience to PC and console gamers alike. Players were able to explore Cyrodiil, a fantasy land full of kings and gods while experiencing a myriad of stories ranging from becoming the greatest thief in the land to stopping a full-blown demonic invasion. Does Oblivion stand on its own as one of the best games period or is it overshadowed by the likes of Morrowind and Skyrim? Each week we will be tackling a video game, old or new, that at least one of us believes deserves to stand as one of the greatest games of all time. We'll dive into its history, development, and gameplay, while trying to argue for or against the game of the week. Sometimes we will be in harmonious agreement, other times we might be fighting a bitter battle to the very end. However each episode shakes out, we hope that everyone who listens will find the show entertaining and informative. Outro music: The Elder Scrolls IV: Oblivion 'Beyond the Imperial Prison' by HyperDuck SoundWorks (http://ocremix.org/remix/OCR03522) You can download or listen to the podcast over on Soundcloud, our hosting site, and iTunes. A YouTube version is (sometimes) available as well, so you can watch what we are talking about while we talk about it! If you want to have your opinion heard on air, share your opinion in the comments, follow the show on Twitter, and participate in the weekly polls: @BestGamesPeriod New episodes of The Best Games Period will be released every Monday
  5. Xbox Game Pass launched June 1 (May 24 for Early Access) and utilizes the digital subscription model to offer unlimited access to One and Backward compatible 360 games for $9.99 a month. Game Pass is similar to Netflix in that it will add games as well as take them away from the list periodically, and the July crop was just announced. On July 1, the first update will occur and will add in seven titles. Dead Island Definitive Edition is first on the list and followed by Resident Evil 6. The other games include racing game F1 2015, post-apocalyptic indie survivor The Flame in the Flood, platformer Guacamelee! Super Turbo Championship Edition, retro platformer Bard's Gold, and Monaco: What’s Yours is Mine, a top-down stealth/heist game. Alongside these titles, there will be a discount on Payday 2 add-ons to celebrate the release of Payday 2’s Most Wanted DLC bundle. Are you subscribed to Xbox Game Pass? What do you think of its games so far? View full article
  6. Xbox Game Pass launched June 1 (May 24 for Early Access) and utilizes the digital subscription model to offer unlimited access to One and Backward compatible 360 games for $9.99 a month. Game Pass is similar to Netflix in that it will add games as well as take them away from the list periodically, and the July crop was just announced. On July 1, the first update will occur and will add in seven titles. Dead Island Definitive Edition is first on the list and followed by Resident Evil 6. The other games include racing game F1 2015, post-apocalyptic indie survivor The Flame in the Flood, platformer Guacamelee! Super Turbo Championship Edition, retro platformer Bard's Gold, and Monaco: What’s Yours is Mine, a top-down stealth/heist game. Alongside these titles, there will be a discount on Payday 2 add-ons to celebrate the release of Payday 2’s Most Wanted DLC bundle. Are you subscribed to Xbox Game Pass? What do you think of its games so far?
  7. July is nearly here and for Xbox gamers that means a new lineup of free games. As always, there are two Xbox One games and two 360 titles with the latter being added to the backward compatible list. The July Free Games with Gold are an interesting lot and range from indie multiplayer to a third person shooter. Adventure platformer Grow Up will be available for download during the entirety of July. It initially released in 2016 under Ubisoft and is the sequel to 2015's Grow Home. From July 1 to 15, Xbox 360 title Kane & Lynch 2: Dog Days is up for download. The game is also a sequel and was developed by IO Interactive (the Hitman series). During the second half of the month (July 16 - August 15) Runbow and LEGO Pirates of the Caribbean: The Video Game will be downloadable for players. Runbow is a multiplayer racing game that plays with its title through a unique color mechanic. LEGO Pirates of the Caribbean first released in 2011 and is a more adorable retelling of the series' first four movies. June Game With Gold Watch Dogs is still free from now until July 15.
  8. July is nearly here and for Xbox gamers that means a new lineup of free games. As always, there are two Xbox One games and two 360 titles with the latter being added to the backward compatible list. The July Free Games with Gold are an interesting lot and range from indie multiplayer to a third person shooter. Adventure platformer Grow Up will be available for download during the entirety of July. It initially released in 2016 under Ubisoft and is the sequel to 2015's Grow Home. From July 1 to 15, Xbox 360 title Kane & Lynch 2: Dog Days is up for download. The game is also a sequel and was developed by IO Interactive (the Hitman series). During the second half of the month (July 16 - August 15) Runbow and LEGO Pirates of the Caribbean: The Video Game will be downloadable for players. Runbow is a multiplayer racing game that plays with its title through a unique color mechanic. LEGO Pirates of the Caribbean first released in 2011 and is a more adorable retelling of the series' first four movies. June Game With Gold Watch Dogs is still free from now until July 15. View full article
  9. Telltale followed up their first entry into the world of The Walking Dead with a second season that did a number of risky things in the world of video games. Players took on the role of Clementine, a young girl who has been burdened with the onerous task of growing up during the apocalypse. The brutality, the cruelty of life under those desperate circumstances permeate Season 2. Tough decisions allow players to shape what kind of a person our hero may become and the haunting prompts from the previous season, "Clementine will remember that," are now left unsaid, but hang heavy in every facial expression. As a sequel to an episodic game that some claimed was the greatest adventure game of all time, does The Walking Dead: Season Two stand up on its own merits as one of the best games period? Each week we will be tackling a video game, old or new, that at least one of us believes deserves to stand as one of the greatest games of all time. We'll dive into its history, development, and gameplay, while trying to argue for or against the game of the week. Sometimes we will be in harmonious agreement, other times we might be fighting a bitter battle to the very end. However each episode shakes out, we hope that everyone who listens will find the show entertaining and informative. Outro music: The Walking Dead: Season Two 'In the Pines - Credits Theme' by Jared Emerson-Johnson & Janel Drewis (https://telltalegames.bandcamp.com/) You can download or listen to the podcast over on Soundcloud, our hosting site, and iTunes. A YouTube version is (sometimes) available as well, so you can watch what we are talking about while we talk about it! If you want to have your opinion heard on air, share your opinion in the comments, follow the show on Twitter, and participate in the weekly polls: @BestGamesPeriod New episodes of The Best Games Period will be released every Monday View full article
  10. Telltale followed up their first entry into the world of The Walking Dead with a second season that did a number of risky things in the world of video games. Players took on the role of Clementine, a young girl who has been burdened with the onerous task of growing up during the apocalypse. The brutality, the cruelty of life under those desperate circumstances permeate Season 2. Tough decisions allow players to shape what kind of a person our hero may become and the haunting prompts from the previous season, "Clementine will remember that," are now left unsaid, but hang heavy in every facial expression. As a sequel to an episodic game that some claimed was the greatest adventure game of all time, does The Walking Dead: Season Two stand up on its own merits as one of the best games period? Each week we will be tackling a video game, old or new, that at least one of us believes deserves to stand as one of the greatest games of all time. We'll dive into its history, development, and gameplay, while trying to argue for or against the game of the week. Sometimes we will be in harmonious agreement, other times we might be fighting a bitter battle to the very end. However each episode shakes out, we hope that everyone who listens will find the show entertaining and informative. Outro music: The Walking Dead: Season Two 'In the Pines - Credits Theme' by Jared Emerson-Johnson & Janel Drewis (https://telltalegames.bandcamp.com/) You can download or listen to the podcast over on Soundcloud, our hosting site, and iTunes. A YouTube version is (sometimes) available as well, so you can watch what we are talking about while we talk about it! If you want to have your opinion heard on air, share your opinion in the comments, follow the show on Twitter, and participate in the weekly polls: @BestGamesPeriod New episodes of The Best Games Period will be released every Monday
  11. Halo 3: ODST broke from what was expected of a game in the Halo franchise and from what many expect of first-person shooters. It shifted the focus, if only for a moment, away from super powered Spartan soldiers and focused instead on the struggles of the normal people caught up in the aftermath of galaxy-altering events. Players experienced the story from multiple angles and perspectives while unraveling the game's central mystery. Daniel Jones lays out why you should certainly consider giving this Halo title a chance. With schedules being what they are, sometimes coordinating a full episode of The Best Games Period can be difficult. When we can't have a proper discussion, we will be breaking off to do these shorter mini-casts, Honorable Mentions, to talk about fringe games that we might not otherwise be able to talk about on a full episode. Outro music: Halo: Combat Evolved 'Fall From Above (You Can't Stop)' by Arkimedes (http://ocremix.org/remix/OCR01161) You can download or listen to the podcast over on Soundcloud, our hosting site, and iTunes. A YouTube version is (sometimes) available as well, so you can watch what we are talking about while we talk about it! If you want to have your opinion heard on air, share your opinion in the comments, follow the show on Twitter, and participate in the weekly polls: @BestGamesPeriod New episodes of The Best Games Period will be released every Monday View full article
  12. Halo 3: ODST broke from what was expected of a game in the Halo franchise and from what many expect of first-person shooters. It shifted the focus, if only for a moment, away from super powered Spartan soldiers and focused instead on the struggles of the normal people caught up in the aftermath of galaxy-altering events. Players experienced the story from multiple angles and perspectives while unraveling the game's central mystery. Daniel Jones lays out why you should certainly consider giving this Halo title a chance. With schedules being what they are, sometimes coordinating a full episode of The Best Games Period can be difficult. When we can't have a proper discussion, we will be breaking off to do these shorter mini-casts, Honorable Mentions, to talk about fringe games that we might not otherwise be able to talk about on a full episode. Outro music: Halo: Combat Evolved 'Fall From Above (You Can't Stop)' by Arkimedes (http://ocremix.org/remix/OCR01161) You can download or listen to the podcast over on Soundcloud, our hosting site, and iTunes. A YouTube version is (sometimes) available as well, so you can watch what we are talking about while we talk about it! If you want to have your opinion heard on air, share your opinion in the comments, follow the show on Twitter, and participate in the weekly polls: @BestGamesPeriod New episodes of The Best Games Period will be released every Monday
  13. Brothers: A Tale of Two Sons was born from the vision of filmmaker Josef Fares. Fares, a Lebanese refugee, managed to escape the country's civil war in 1987 and relocate to Sweden with his family. He became a prolific director in the Swedish film world and made Jalla! Jalla!, one of the most popular films in the country. Released by Starbreeze Studios in 2013, Brothers adopted a highly unconventional dual joystick control scheme for its isometric adventure game. It became an instant critical darling, but what did it do right to earn that praise? Perhaps things are different when revisiting the game from a 2017 perspective. Is Brothers: A Tale of Two Sons worthy of the praise it received for its cinematic vision and unique control scheme? Is it one of the best games period? Each week we will be tackling a video game, old or new, that at least one of us believes deserves to stand as one of the greatest games of all time. We'll dive into its history, development, and gameplay, while trying to argue for or against the game of the week. Sometimes we will be in harmonious agreement, other times we might be fighting a bitter battle to the very end. However each episode shakes out, we hope that everyone who listens will find the show entertaining and informative. Outro music: The Witcher 3: Wild Hunt 'Love and Loss' by Sebastien Skaf (http://ocremix.org/remix/OCR03484) You can download or listen to the podcast over on Soundcloud, our hosting site, and iTunes. A YouTube version is (sometimes) available as well, so you can watch what we are talking about while we talk about it! If you want to have your opinion heard on air, share your opinion in the comments, follow the show on Twitter, and participate in the weekly polls: @BestGamesPeriod New episodes of The Best Games Period will be released every Monday View full article
  14. Brothers: A Tale of Two Sons was born from the vision of filmmaker Josef Fares. Fares, a Lebanese refugee, managed to escape the country's civil war in 1987 and relocate to Sweden with his family. He became a prolific director in the Swedish film world and made Jalla! Jalla!, one of the most popular films in the country. Released by Starbreeze Studios in 2013, Brothers adopted a highly unconventional dual joystick control scheme for its isometric adventure game. It became an instant critical darling, but what did it do right to earn that praise? Perhaps things are different when revisiting the game from a 2017 perspective. Is Brothers: A Tale of Two Sons worthy of the praise it received for its cinematic vision and unique control scheme? Is it one of the best games period? Each week we will be tackling a video game, old or new, that at least one of us believes deserves to stand as one of the greatest games of all time. We'll dive into its history, development, and gameplay, while trying to argue for or against the game of the week. Sometimes we will be in harmonious agreement, other times we might be fighting a bitter battle to the very end. However each episode shakes out, we hope that everyone who listens will find the show entertaining and informative. Outro music: The Witcher 3: Wild Hunt 'Love and Loss' by Sebastien Skaf (http://ocremix.org/remix/OCR03484) You can download or listen to the podcast over on Soundcloud, our hosting site, and iTunes. A YouTube version is (sometimes) available as well, so you can watch what we are talking about while we talk about it! If you want to have your opinion heard on air, share your opinion in the comments, follow the show on Twitter, and participate in the weekly polls: @BestGamesPeriod New episodes of The Best Games Period will be released every Monday
  15. There was once a game called Advent Rising. It was hyped up as the next great science-fiction adventure that would transcend games and become something more. Unfortunately, it released in 2005 with a multitude of bugs in an era where patching post-release was a rarity at best. Advent Rising caused the implosion of its development studio, GlyphX Games. A group of individual developers escaped the studio's downfall, banding together to form Chair Entertainment. The newly minted indie studio went on to develop and release Shadow Complex in 2009. The 2.5D metroidvania sidescroller adopted a more realistic aesthetic and spawned a series of novels authored by Orson Scott Card. The game released and seemed to fill a niche in the indie gaming world that hadn't been filled in quite that same way before. With a recent remaster, it seems like a perfect time to ask the question: Is Shadow Complex one of the best games period? Each week we will be tackling a video game, old or new, that at least one of us believes deserves to stand as one of the greatest games of all time. We'll dive into its history, development, and gameplay, while trying to argue for or against the game of the week. Sometimes we will be in harmonious agreement, other times we might be fighting a bitter battle to the very end. However each episode shakes out, we hope that everyone who listens will find the show entertaining and informative. Outro music: Tales of Phantasia 'The Koan of Drums' by djpretzel (http://ocremix.org/remix/OCR01500) You can download or listen to the podcast over on Soundcloud, our hosting site, and iTunes. A YouTube version is (sometimes) available as well, so you can watch what we are talking about while we talk about it! If you want to have your opinion heard on air, share your opinion in the comments, follow the show on Twitter, and participate in the weekly polls: @BestGamesPeriod New episodes of The Best Games Period will be released every Monday View full article
  16. There was once a game called Advent Rising. It was hyped up as the next great science-fiction adventure that would transcend games and become something more. Unfortunately, it released in 2005 with a multitude of bugs in an era where patching post-release was a rarity at best. Advent Rising caused the implosion of its development studio, GlyphX Games. A group of individual developers escaped the studio's downfall, banding together to form Chair Entertainment. The newly minted indie studio went on to develop and release Shadow Complex in 2009. The 2.5D metroidvania sidescroller adopted a more realistic aesthetic and spawned a series of novels authored by Orson Scott Card. The game released and seemed to fill a niche in the indie gaming world that hadn't been filled in quite that same way before. With a recent remaster, it seems like a perfect time to ask the question: Is Shadow Complex one of the best games period? Each week we will be tackling a video game, old or new, that at least one of us believes deserves to stand as one of the greatest games of all time. We'll dive into its history, development, and gameplay, while trying to argue for or against the game of the week. Sometimes we will be in harmonious agreement, other times we might be fighting a bitter battle to the very end. However each episode shakes out, we hope that everyone who listens will find the show entertaining and informative. Outro music: Tales of Phantasia 'The Koan of Drums' by djpretzel (http://ocremix.org/remix/OCR01500) You can download or listen to the podcast over on Soundcloud, our hosting site, and iTunes. A YouTube version is (sometimes) available as well, so you can watch what we are talking about while we talk about it! If you want to have your opinion heard on air, share your opinion in the comments, follow the show on Twitter, and participate in the weekly polls: @BestGamesPeriod New episodes of The Best Games Period will be released every Monday
  17. I've seen a lot of strange runs through many different games, but this one ranks as one of the most bizarre. When Bethesda's Fallout 3 begins, players go through a process to create their character. While most games relegate this to playing with sliders and moving stat points around, Fallout 3 allows players to "grow up" as their character, seeing different stages of their lives as they become adults. That process ends when the player enters the wider, blasted landscape of a post-apocalyptic Washington D.C. A couple years ago, players discovered it was possible to glitch through the baby section of Fallout 3's opening and escape from the underground Vault before events flash forward to when the player's character becomes an adult. The fact that the glitch exists is in itself is entertaining, but one player decided that they would play through the entire game as an infant. And, well... this happened. YouTuber Bryan Pierre walks viewers through his attempt to finish Fallout 3 as a baby. It's actually pretty fascinating to hear him talk about the details of how this works and how strange the game's implications become when the protagonist is a tiny baby. For example, the baby's hit box is much smaller than normal, so many enemies can barely hit a crawling child. The video itself is about two years old, but it is very much still worth a watch to see just how far some people are willing to go to do obnoxiously silly things in video games. View full article
  18. I've seen a lot of strange runs through many different games, but this one ranks as one of the most bizarre. When Bethesda's Fallout 3 begins, players go through a process to create their character. While most games relegate this to playing with sliders and moving stat points around, Fallout 3 allows players to "grow up" as their character, seeing different stages of their lives as they become adults. That process ends when the player enters the wider, blasted landscape of a post-apocalyptic Washington D.C. A couple years ago, players discovered it was possible to glitch through the baby section of Fallout 3's opening and escape from the underground Vault before events flash forward to when the player's character becomes an adult. The fact that the glitch exists is in itself is entertaining, but one player decided that they would play through the entire game as an infant. And, well... this happened. YouTuber Bryan Pierre walks viewers through his attempt to finish Fallout 3 as a baby. It's actually pretty fascinating to hear him talk about the details of how this works and how strange the game's implications become when the protagonist is a tiny baby. For example, the baby's hit box is much smaller than normal, so many enemies can barely hit a crawling child. The video itself is about two years old, but it is very much still worth a watch to see just how far some people are willing to go to do obnoxiously silly things in video games.
  19. It is easy to forget that BioWare took a bold risk when they launched their untested, original IP as an Xbox 360 exclusive back in 2007. The RPG genre had never truly veered into uncharted territory with a mainstream release as with a third-person shooter hybrid. On top of that, it was set in an unknown universe that the marketing team could easily have over-inflated to generate hype only to fall victim to the backlash (remember the cautionary tale of Advent Rising?). However, what made Mass Effect special was that it actually managed to live up to the hype. It worked. It had choices that engaged players. It was full of unique and interesting piece of universe-building and memorable characters. It delivered the sci-fi adventure some people had been waiting their entire lives to see in a video game for the first time. Almost a decade later with a new entry in the franchise releasing this week, does the original Mass Effect stand as not merely a good game, but one of the best games period? Each week we will be tackling a video game, old or new, that at least one of us believes deserves to stand as one of the greatest games of all time. We'll dive into its history, development, and gameplay, while trying to argue for or against the game of the week. Sometimes we will be in harmonious agreement, other times we might be fighting a bitter battle to the very end. However each episode shakes out, we hope that everyone who listens will find the show entertaining and informative. Outro music: Mass Effect 'Uncharted Depths' by Hy Bound (http://ocremix.org/remix/OCR02157) You can download or listen to the podcast over on Soundcloud, our hosting site, and iTunes. A YouTube version is (sometimes) available as well, so you can watch what we are talking about while we talk about it! If you want to have your opinion heard on air, follow the show on Twitter and participate in the weekly polls: @BestGamesPeriod New episodes of The Best Games Period will be released every Monday View full article
  20. It is easy to forget that BioWare took a bold risk when they launched their untested, original IP as an Xbox 360 exclusive back in 2007. The RPG genre had never truly veered into uncharted territory with a mainstream release as with a third-person shooter hybrid. On top of that, it was set in an unknown universe that the marketing team could easily have over-inflated to generate hype only to fall victim to the backlash (remember the cautionary tale of Advent Rising?). However, what made Mass Effect special was that it actually managed to live up to the hype. It worked. It had choices that engaged players. It was full of unique and interesting piece of universe-building and memorable characters. It delivered the sci-fi adventure some people had been waiting their entire lives to see in a video game for the first time. Almost a decade later with a new entry in the franchise releasing this week, does the original Mass Effect stand as not merely a good game, but one of the best games period? Each week we will be tackling a video game, old or new, that at least one of us believes deserves to stand as one of the greatest games of all time. We'll dive into its history, development, and gameplay, while trying to argue for or against the game of the week. Sometimes we will be in harmonious agreement, other times we might be fighting a bitter battle to the very end. However each episode shakes out, we hope that everyone who listens will find the show entertaining and informative. Outro music: Mass Effect 'Uncharted Depths' by Hy Bound (http://ocremix.org/remix/OCR02157) You can download or listen to the podcast over on Soundcloud, our hosting site, and iTunes. A YouTube version is (sometimes) available as well, so you can watch what we are talking about while we talk about it! If you want to have your opinion heard on air, follow the show on Twitter and participate in the weekly polls: @BestGamesPeriod New episodes of The Best Games Period will be released every Monday
  21. Just when people thought their time on Pandora might be taking a hiatus, Telltale swoops in with a trailer that teases the first episode of their Borderlands series. Unfortunately, the trailer doesn't give any hints as to a release date, but it looks like Telltale is still planning to release it in 2014. While we were shown a preview of the first episode in action back during E3, the first episode finally has a name: Zero Sum. Additionally, we now know the official casting details, final casting details. The season will feature Troy Baker as Rhys, Laura Bailey as Fiona, Chris Hardwick as Vaughn, Erin Yvette as Sasha, Patrick Warburton as Vasquez, and Dameon Clarke reprising his role as Handsome Jack. We can also confirm that there will be five total episodes of the Tales from the Borderlands series. Tales from the Borderland will be available on PlayStation 3, PlayStation 4, Xbox 360, Xbox One, and PC, with some slight variations in price. It looks like the console versions will retail at around $4.99 per episode with season pass options for $19.99. The PC version will be a season pass for $24.99. Android and iOS devices will also see the first episode of the Telltale's Borderlands before the year is out.
  22. More free stuff! Microsoft is unlocking Xbox Live Gold's features for everyone with Xbox 360 starting today. From today until the 12th, Xbox 360 owners can enjoy the benefits of a Gold membership for free. The offer does not extend to Xbox One owners. There is, unfortunately, one exception. Players who don't have a full Gold membership won't have access to Games with Gold or Deals with Gold promotions during the free weekend.
  23. Review: Destiny

    Bungie’s newest game, the most pre-ordered new IP in history, is entertaining. The gameplay is tight, the environments are gorgeous, and the character designs ooze cool. In fact, it seems like many of the design choices in Destiny revolve around a rule of cool, as if Bungie was constantly asking, “Will this be cool? If not, scrap it.” The result is a game that looks superb set in an inviting universe populated by interesting and diverse enemies. If that’s the case, why then does Destiny feel so hollow? Note: As of the writing of this review, end-game content such as raids have not been unlocked. The review will be updated when raids unlock next week. Playing Destiny just feels good. Players are given a kit of abilities and weapons and tasked with eliminating groups of enemies that all behave in different ways. Do you want to save your rocket launcher ammo for the boss or is the large group of clustered enemies rushing toward you worth the shot? Take the time to reload your auto rifle or go in for the melee attack? Use your super move or attempt a headshot with your throwing knife? These are questions you’ll be asking yourself constantly, often with only a split second to come to a decision. All of these choices come together and feel fluid in-game. The same feeling of fluidity carries over into competitive multiplayer. Initially, there will only be one game type to choose from, but others will unlock as players level up. Control is similar to many capture point-style modes found in other games, while Clash is traditional team deathmatch under a different name. Rumble is a standard free-for-all brawl. The Skirmish mode is interesting. It pits two teams of three against each other, emphasizing the importance of team work. Finally, Salvage tasks teams of three to battle over possession of relics. With a decent number of well-balanced maps, multiplayer is sure to be a draw for a number of people. It does have a few problems, though. Notably, despite the tag of “Level Advantages Disabled” it seems like there is still a noticeable power difference between well-geared or leveled people and players who are just starting out. Hopefully a patch can balance the competitive multiplayer a bit better. There are also a great deal of weapons that can insta-kill: shotguns, fusion rifles, headshots with the hand cannon, sniper rifle, and each playable class’ super move which has the capacity to instantly kill multiple enemy players. Not to mention the vehicles which, though nerfed since the beta, still empower people to a frustrating degree. These instant death situations are plentiful and they lead to a lot of deaths that feel cheap. Though players can team up on story missions or wander the large maps in Patrol mode, Strikes are the highlight of Destiny’s cooperative multiplayer. They require a degree of teamwork to claim victory and can’t be pulled off alone. They tend to culminate in large boss battles against enemies with ludicrous amounts of health. They are long, feature tons of bad guys, and test the limits of player skill. In other words, they’re one of the best parts about Destiny. Destiny truly shines when it comes to the visuals. I would love to see a feature in an upcoming patch that allows players to completely disable the HUD. The vistas are so gorgeous that it seems a shame to have some of them hidden behind objective markers, a radar, and ammo counter. It is refreshing to see that, even though Destiny has aspirations to be a serious shooter, it isn’t cut from the same washed-out cloth as many other FPS games. Destiny isn’t afraid to access a rich and vibrant color palate. Each area feels different, distinguished in part by variances in architecture, color schemes, and terrain. The pitted grey surface of the moon feels totally distinct from the rainy and tropical climes of Venus. Similarly, the human buildings on Earth feel at odds with the alien fortresses on Mars. Every change in scenery is accompanied by a new enemy entering the mix. There are four alien races so far: the Fallen, Hive, Vex, and Cabal. Each race has their own unique enemy types and tactics. The enemies are distinct from each other to a pleasing degree. It is easy to recognize the difference between the lumbering forms of the Cabal from the wiry, mechanical forms of the Vex. I got the sense that each of these races has a history, a reason for why they are in the Sol system and utterly hostile toward the human race. But I only got an impression, never any moving story sequences or moments to illustrate why I should care about them, other than the fact that they look cool. As players progress, they will unlock portions of lore in Destiny’s Grimoire. However, the Grimoire is inaccessible through any in-game means. You are forced to either go to Bungie’s website or download the free Destiny app to a mobile device. To me, locking off the background information to separate devices seems like a bizarre design decision. There is so much to like about Destiny. When it comes together, it feels sublime and there are glimpses of greatness. However, more often than not, it comes up short on its potential. A major contributor to this is the narrative, which feels like it was treated as a secondary or maybe even tertiary concern when balanced against the gameplay and visual design. Whenever someone might want Destiny to be more than functional, it can’t seem to rise to meet that desire. That’s a shame because there is so much potential in the Destiny universe, so many events alluded to that would be interesting to explore (at one point the Peter Dinklage-voiced robot casually tosses out that at one point the entire planet of Mercury was transformed into an evil machine!). **Spoiler Warning** Here is a brief synopsis of approximately half of the story present in Destiny: A sentient mechanical eyeball voiced by Peter Dinklage resurrects the protagonist to help defend the last city on Earth from the coming Darkness. The two then go off on a series of excursions that put them in contact with an old AI named Rasputin that somehow is connected with the Moon. While on the Moon, the duo crosses paths with a mysterious person (with no connection to Rasputin) who indicates they should check out Venus, because there is an even worse evil there than the aliens that live underneath the surface of the Moon and have been invading Earth. This is indicative of where Destiny’s story goes wrong. It doesn’t bother to create coherent events that run together or make sense. Instead, it opts to go for just a series of events that happen. The Rasputin AI is used to get players from Earth to the Moon and is never mentioned again until one of the last missions in the game (which happens to be a side mission, not one of the core story missions). There is this concept known as economical storytelling which just means that every element of your story should be essential. Nothing is gained by including Rasputin into the narrative of Destiny, other than getting the player to the Moon. Furthermore, Bungie associates a lot of important language with the AI. Destiny refers to the AI as a Warmind and tells the player that it has the potential to save mankind from extinction by reactivating old defenses, but we never see any of that happen, aside from a giant communications array rising from the ground. The tell-don’t-show approach spills over into other parts of Destiny as well. The most obvious example of this is the stakes into which players are continually asked to invest themselves. The old “aliens want to destroy the world” cliché just doesn’t hold up as well when you are trying to tell a compelling narrative in video games these days. Why should we care about the last city on Earth? For all the player knows, everyone in the city is already dead since we never see any of them. Guardians all seem to live in Tower, the central hub of Destiny. You can see a few non-guardians wandering around or running shops, but other than that, there are large stretches of buildings far below. Those buildings are as close as players ever get to having a reason to care about the human race (other than the fact that the people holding the controller and playing Destiny are, presumably, human themselves). Then there are the other issues with the narrative like the constant use of ambiguity. At times it feels like players are fighting against concepts instead of factions of aliens with their own goals and agendas. The clearest example of this is the often mentioned “Darkness” that is coming. What is it? I’ve finished the story and I have no idea. The game just tells you it is bad and that it almost destroyed all human life. I guess it is hard to see the threat posed by the Darkness when Earth is already overrun with several different alien races that want to destroy the remaining humans and the nearest planets house aliens that also want to kill everything. Why even mention the Darkness at all if it has nothing to do with the central plot? Clearly it is a set up for future expansions, but it serves no purpose in the narrative of Destiny as it stands currently and is bafflingly present in many of the dialogue exchanges throughout the game. This is the opposite of economical storytelling. I understand that video games contain different story structures than more traditional forms of media, but the fact remains that Destiny wastes a lot of its narrative time on inconsequential elements of its universe. I think that is where Destiny’s story went wrong. It took the building of a giant universe as its story’s central mission instead of building the world as a part of the narrative. We are meant to envision a large, rich game universe as Destiny throws around terms like Warmind and concepts like the Darkness. It is an attempt at world building that largely succeeds, at the cost of a coherent narrative that players will be able to enjoy. Now, this could all simply be attributed to lazy writing, but it seems to me that a project as big as Destiny would have to be a bit more self-aware. I have a suspicion that the narrative is intentionally structured this way. Destiny is rated T by the ESRB, which means it can be sold to younger gamers under the age of 17. While Destiny’s plot might not make much sense on paper, in practice it moves at a breakneck pace through vastly different scenery and enemies. Propelling players forward as fast as possible through the story is much easier when you don’t worry about things like character development, stakes, drama, etc. Many younger players, ages 12-16, could very well be utterly beguiled by the stylish combat, gorgeous scenery, and downright cool vibe Destiny throws out. The big sounding words and concepts impart a sense of scale that will leave the upcoming generation of gamers feeling like Destiny is one of the coolest games they’ve ever played, though they will struggle to articulate exactly why that is and what makes it so great. Though Destiny slips up and falls completely flat from a dramatic standpoint, it is still blast to play, which is why I can’t find it within myself to feel angry toward what it does or fails to do, just a bit of realistic disappointment. The opening mission holds such promise. Resurrected from the dead by a Ghost, it is a mad dash away from oncoming Fallen forces through rusting cars and timeworn corridors. Things seem so large and big as Ghost rattles off crucial details of the situation. Then you acquire weapons and armor and learn how to use them in your first real encounter. The fighting is fast, flashy, and leaves you feeling great as you take off in your newly acquired spacecraft. It feels so reminiscent of Star Wars that it kindles a bit of hope that the experience of Destiny might be something utterly unique and magical. What else could the game have in store? As you spend hours and hours making your way through the various missions and game worlds, it becomes clear that there isn’t much more to Destiny’s gameplay than what you experienced in the first mission. In fact, I can only think of one mission where I was required to do something other than shoot bad guys until the game allowed me to continue and that was a mission where I got a sword to slice up bad guys until the game allowed me to continue. The potential of the first mission is never realized. In fact, as Destiny continues there are more and more opportunities for interesting scenarios and interactions, but nothing ever comes of them. By the end of the campaign it felt like all that had been accomplished over the course of several days was the creation of a blank slate universe to which Bungie can add content as they wish. Conclusion: It is hard for me to conjure any animosity toward Destiny. It plays well and looks great, but the story is deeply flawed on numerous levels. It has nothing to say about which I feel offended other than way it undermines its own narrative, which just makes me feel kinda sad. The multiplayer is fun, though frustrating at times, and teaming up with friends to blast away at digital aliens in a Strike is good fun. Destiny is a worthy first-person shooter if all you are looking for is a shooter with neat visuals and tight gameplay. If you are looking for a story that will stick with you for years to come, Destiny is not that game. Perhaps the expansions will contain a story worth your time and attention, but until then enjoy the fun. Time will tell for certain, but I think the lesson to be learned from Destiny in five to ten years is that while a fun experience is pleasurable, it is also ephemeral. High quality stories are pleasuarable, too, but they also last. Destiny is currently available on PlayStation 3, PlayStation 4, Xbox 360, and Xbox One. This review will be updated when raids are released next week. Update: Having experienced Destiny's raids, they do not significantly alter my opinions regarding Destiny's end game content. The lack of matchmaking for raids will prove to be a considerable barrier for players with less than the five highly levelled friends required to participate.
  24. According to Warner Bros., the game still needs a bit of polish on older systems. The Xbox 360 and PlayStation 3 versions of Middle-Earth: Shadow of Mordor have been pushed back to a November 18 release date. Thankfully the Xbox One, and PlayStation 4 versions will be unaffected by this delay and are still planned for release on September 30. A bit of good news: The PC version is being bumped ahead to a slightly earlier release date. It will launch alongside the Xbox One and PS4 versions rather than a nebulous date in early October.
  25. Anyone with an early copy of the upcoming sci-fi shooter should be able to play it before the official launch. The servers have been up since 6AM CST this morning to allow members of the press and anyone fortunate enough to get their hands on a full-release copy a head start on Destiny's content. Expect to see social media going bananas over the next twelve hours as we close in on the official launch of Bungie's next first-person shooter. According to Activision, Destiny's launch has taken on historic proportions by becoming the most pre-ordered new video game IP ever. This isn't terribly surprising since over 4.6 million players participated in the Destiny beta, setting a high bar for future betas this generation. "Destiny is the game we've always wanted to make," said Bungie's president, Harold Ryan. "We've dreamt of this universe for years, so we couldn't be more thrilled to swing open the doors and let fans shape this experience as they tell their unique stories in the game. For us, the next generation of games is all about allowing players to collide and interact with each other as they take on epic, action-packed adventures all their own." Destiny releases September 9 for PlayStation 3, PlayStation 4, Xbox 360, and Xbox One.